“Do people assume all your problems got solved, because a big strong man showed up?”
Sarah Silverman, John C. Reilly, and Taraji P. Henson break down the scene where the Disney Princesses pop up in the animated sequel “Ralph Breaks the Internet”. The original was “Wreck-It Ralph” from 2012.
“We’re giving girls this version of themselves in a Disney movie, a company that, for better or worse, has created a lot of these stereotypes over the years through the princess thing,” Reilly says. “It’s a moment of reckoning for Disney and it’s a moment of reckoning for the world”. Disney has come a long way since Snowhite.
The history of art in an experimental short film that lasts for less than one minute. Filmmaker and art teacher Cao Shu, renders a variety of art styles like: ancient Egyptian, Chinese ink paintings, ancient Greek to more modern style like Van Gogh, Picasso and Modigliani, creating an amazing animation.
I did not know that lyric videos were a thing, until my 10 year-old daughter told me about it! The song “Shape Of You” by Ed Sheeran is on her playlist for sometime now, but I had never watched this video before. This is not actually the official video, but the official lyric video for the song, illustrated and directed by Charlotte Audrey. Love the playful animated lettering!
Hey Fuzzy Yellow! This is just one of those silly little animations that makes your day!
This animated film is called Analogue Loaders, created by London-based director Raphael Vangelis. He specializes in design driven animation projects ranging from short films and music videos to TV commercials.
I love what he says about it: “This short film is my animated autobiography. I spend most of my life swearing at the computer because it’s crashed or isn’t working. Here, well known digital symbols are turned into something analogue and playful. The result is an homage to all the lost time we collectively spend in digital limbo in the hopes of sudden development on our screen.” So, true!
You can also watch the -very entertaining- making of the film here.
This is the work of the award-winning design group Beetroot from Thessaloniki, for the opera production of “The Penal Colony” by Philip Glass and Franz Kafka. The director of the opera needed a design team to bring Kafka’s words to life and on stage, so, the designers from Beetroot decided to create the machine described in the book, out of Kafka’s text itself.
Beetroot explains: “Over the years we often return and explore the concept of typography as a ‘living entity; through various projects, which has led to some really interesting results both conceptually and visually. Interpreting Kafka’s machine as a literary device, we tried to elevate type from a mere decorating collection of characters to an actual performer, one that has the ability to torture and, ultimately, to kill.”